At a certain point it becomes difficult to justify buying more demonstrator-style fountain pens with iridium-point nibs—you have so many, no matter how cool this new one seems, and eventually you’d like to afford such luxuries as name brand ramen, and cereal that comes in boxes instead of bags. That’s what the wishlist is for—make sure you save it in a prominent location in the browsers of all your family and friends. I did, and now I can thank my parents for the very-happy-birthday addition of the Monteverde Artista Crystal fountain pen to my arsenal.
The smooth resin body has just enough weight to it to feel well-made, but not enough to weigh you down. But it will be collecting fingerprints and smudge marks worse than I collect pens. You’ve been warned.
The aesthetic is unquestionably classy, and the translucent spirals of the included converter (also takes cartridges) is one of the beautiful little things that sets the Artista over the top.
Why a clear feed? Because WHY NOT—it’s a wonderful echo of the converter (just as the silver on the converter nicely mirrors the grip and nib). It’s different without being ostentatious.
I don’t know much about these nibs, except that I can’t really think of a time they’ve disappointed me, and this is no exception. A medium that writes well on a variety of papers, from Clairefontaine to the cheap printer paper I’m writing this on from work—and it’s neither too wet nor too dry. The only time I’ve had any ink flow problem is when combining cheap paper and extreme angles, but the problem there isn’t flow, it’s that the tip of the nib where both tines meet isn’t in physical contact with the paper.
I’m very satisfied with this pen—it’s a great intermediate pen. Once you’ve acquired a few beginner level fountain pens, and you’re ready to fall face-first down the rabbit hole, throwing money all the way, this is a pen worth adding to your