(Notemaker provided this product at no charge for reviewing purposes–opinions entirely my own)
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Tags: kaweco, kaweco fountain pen, kaweco mint, kaweco mint fountain pen, kaweco skyline, kaweco skyline mint, kaweco skyline sport, kaweco skyline sport fountain pen, kaweco sport, kaweco sport mint, medium nib, mint body, skyline fountain pen, skyline mint, skyline sport
Categories : fountain pen, Uncategorized
The Lamy Safari is pretty much THE classic beginner fountain pen of these modern times—nice enough, lots of options, and not too expensive. This is the pen that a lot of people get when they step up from disposables or the $15 and under category, or heck, I’m sure it’s probably just plain old what a lot of people start with (though I moved up from my beloved disposable Ink Bar to the Sailor A. S. Manhattaner’s and the Platinum Preppy and all other manner of fountain pens but I can confidently say that the Safari’s clear demonstrator version, the Lamy Vista, was my first in-store fountain pen purchase).
The Safari has a number of great design features, starting with the plastic body—it’s available in a wide variety of colors, from bright and ostentatious (like this green, or last year’s neon yellow) to subdued and classy (like the white or the charcoal black). It’s not a scratchproof plastic, but it is durable (I haven’t broken one yet anyway, and I don’t treat them delicately).
I love this clip. There is no mistaking the Lamy clip. You may spot one across the room in the hands of a total stranger and KNOW that there’s a Lamy. Then you will hiss at your dining companions “THAT DUDE’S GOT A LAMY” and your dining companions will have no idea what you’re talking about and wonder to themselves why they invite you to brunch. Note how the wide clip arms curve down around the body of the cap—helps hold it snug to the page or the pocket, while the flared end makes it easy to slip on.
One of the drawbacks to the Lamy line is that they require proprietary Lamy cartridges. So if you inherited several metric tons of standard international cartridges from your grandmother, this won’t be the pen to use them in. But there is at least sort of a reason for the special cartridges: they are designed to snap themselves on. Just make sure the cartridge is sticking into the grip like so, just resting there really, make sure there’s no cardboard ring on there, and then screw the rest of the body back on. It will push the cartridge down and puncture the bit that lets the ink go from cartridge to feed. That’s a nice feature for beginners (and people with poor arm strength and people who just may be lazy). No wondering (as I hope you rarely do in life) “did I push hard enough?” You can also pay to get a Lamy converter and use the pen with bottled ink. If I were to rotate the grip in that picture 90 degrees, you’d see the little secure-posts where the converter snaps on.
If you are a normal human being, or perhaps a German schoolchild, then you will hold your writing utensils with the ultra-efficient and ergonomic ideal pliers grip. The Lamy Safari is molded with this ideal grip in mind, and if you have proper gripping technique or like to be corrected by the pen you hold, then you’ll probably love this. I do not love this. I am forever in battle against the sharp edges and my horrible overwriter lefty cavedwelling hookgrip. If you are getting a pen for someone else, consider how they grip. A rounded grip, or at least one not so sharply sculpted might serve them better depending on their style.
The stainless steel nibs are excellent beginner or workhorse nibs. They are sufficiently smooth, but not so smooth that you’re in danger of losing control (or needing to write in cursive, really fast). The nibs are easy to change out and come in extra fine, fine, medium, and broad (all of which can either be in stainless steel finish or black finish), plus three sizes of calligraphy nib (1.1mm, 1.5mm, and 1.9mm). If you want to be able to try a wide range of nibs without having to get a new pen every time (though, where’s the fun in that, besides not being broke?), then the Lamy Safari is an excellent way to go—nibs are sold individually all over the place.
It’s not the perfect beginner pen for everyone, but even in spite of the things I don’t like about it I keep buying them. Those darn colors are just so irresistible. It looks like the Limited Edition 2012 Apple Green body is still in stock at Goldspot Pens at time of writing. Or you can browse through other colors at some of my other favorite online places.
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Tags: 2012 lamy safari, apple green body, fountain pen, green lamy, green lamy safari, lamy, lamy fountain pen, lamy safari, lamy safari fountain pen, lamy safari limited edition 2012, limited edition, limited edition lamy safari, m nib, medium nib, safari
Categories : fountain pen, pen
I had a review all ready and done for this pen. Here’s basically the summary of that review: “the last thing you want as a fountain pen user is the indignity and embarrassment of a pen that refuses to write.” No matter what I did, the pen just would not write. The flow was terrible. It would dry out after mere hours of not being used. But the Goulet Pen Company, being awesome, when I contacted them for advice on what to do about the poorly performing Poquito went ahead and sent me another one to exchange. Now, I have a less terrible Poquito to review.
Appearance-wise, the Poquito is on winning ground, which was what originally attracted me to it. The idea was to get a serious metal-body contender for the pocket fountain pen category at a more affordable price than, say, the twice-as-expensive Liliput. The snap cap won points for convenience, and though the Chrome body picks up hand and fingerprints clear enough to convict a crime, I chose chrome over one of the painted jobs thinking it would hold up better in pockets that might also include keys and other oddments. The cap snaps nicely closed, and posts securely. So far, so good.
The writing, however, is on a little shaky ground. As I mentioned, my first Poquito wouldn’t write reliably at all. The second Poquito is doing better, though I still had some problems when I first got it—the pen seemed to dry up overnight, it would need to be scribbled around with before I’d get it writing again.
But it seems to be writing for now, so let’s evaluate that performance. On the whole, the flow seems a bit dry and also a bit variable. It’s not been so dry as to completely ghost out, but you can see where the ink gets thinner. The nib is neither terrible nor remarkable; it simply is.
There are good, reliable compact fountain pens out there, but the Poquito doesn’t top the list. I would probably recommend the too-juicy A.G Spalding & Bros. Mini Fountain Pen over the Poquito (JUST KIDDING I inked up the A.G. Spalding mini and MY GOODNESS IT IS WAY TOO JUICY). If you want a solid way to spend your money, for the same price at The Goulet Pen Company you can get two bottles of Rohrer & Klingner Scabiosa Iron Gall ink, which is pretty much the most magical ink I’ve ever tried (and it will be shipped in the most secure and Fort Knoxian bubblewraptopia of fashions). Or you can take a whirl on the quality control roulette wheel and give the Poquito a try.
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Tags: chrome body, diamine ink, fountain pen, medium nib, monteverde, monteverde fountain pen, monteverde poquito, monteverde poquito fountain pen, poquito, poquito chrome, poquito fountain pen
Categories : fountain pen, mini pens, pen
The Pilot Metropolitan has been on my radar for a while—I’ve heard good things about it, even got to try it a few times at my local pen club meetup. Every time, I’ve thought, “What a solid pen!” and then promptly forgot to get one. So I was delighted when JetPens sent me one free of charge to try out.
When you see the word “CROCODILE” on a box, you either think of Steve Irwin or you’re thinking of some kind of eccentric piece of old lady accessory fashion.
Thankfully, the crocodile pattern accent is totally tasteful, and nicely done—not some cheap sticker. The metal body is matte black (not the same matte black material as the Vanishing Point, so hopefully it won’t have that same problem), with an appreciable little bit of weight to it. In terms of appearance, it’s a lot like the Sheaffer VFM—an attractive, modern, minimalist black pen. Sometimes I wish I was a fancy businessperson with a briefcase. I would put this pen in my briefcase.
For once, a treacherous, precipitous ridge at the grip lines up in such a way as to completely not affect me. But that edge might be a pain if it falls on a delicate part of your grip.
The writing on the Metropolitan is really stand out. I had no trouble getting it started, and the flow is great—juicy but not too juicy. The medium nib is true to the same size medium lines laid down by the Pilot Vanishing Point.
I am not familiar with this style of Pilot nib (I know the cheapo nib used on the Varsity and the Petit 1 (unique in its ability to fuzz and feather on nearly any paper); the Super Quality style used on the Plumix, Penmanship, and Prera; and the gold Vanishing Point nibs). This nib is new to me, and it’s pretty great. The sweet spot is oh-so-sweet, a whisperingly smooth tactile nib skating along the page.
Pros of the Metropolitan: great writing performance, quality build, round grip, metal body, and comes in different colors and accent patterns. Cons: medium nib only (though I’d bet other steel Pilot nibs can be swapped on), proprietary cartridges (but it did come with a converter for bottled ink use). This is another great under $30 entry level fountain pen, or a great every-day-carry-around pen for the fancy collector who wants a knockabout pen that, if lost in the course of frequent daily use, wouldn’t induce a heart attack.
Thanks again to JetPens for providing this sample!
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Tags: black crocodile body, fountain pen, m nib, medium nib, metropolitan, metropolitan crocodile, metropolitan fountain pen, pilot, pilot fountain pen, pilot metropolitan, pilot metropolitan crocodile, pilot metropolitan fountain pen
Categories : fountain pen, pen
This particular peculiar Rotring entered my life as a birthday present from my dearheart, who went to the local pen store asking for something I didn’t already have. Voilà—a Rotring I’d never even seen before.
With a bit of Googling I’ve decided that this is a Rotring Newton, the mod odd update to the very popular, hexagonal 600 series. The pen has a lot of solid metal and oblique angles going for it, and I love the finish.
It’s not just solid black—look very closely and you see some dark twinkle to the finish. And all the silvery bits? This pen is a looker.
But beautiful as it is, this pen has some quirks to note. The biggest is how you get to the cartridge/converter side. Look up at the picture of the whole body, see the silver bit on the non-cap end? Twist it counter-clockwise like you’re retracting a tube of chapstick (go clockwise—as though advancing a chapstick—to secure it back to the body). Not what you were expecting. But then why not, why not involve some randomly strange mechanism? Quirk #2: do NOT reuse a standard international cleaned-out cartridge in this pen. I’ve read somewhere before that you need to use the special (pricey) Rotring converter in the Rotring pens or it won’t seal properly…I don’t know for sure about all that, but I know it doesn’t play well reusing a cartridge. The cartridge came loose, ink was everywhere; so I decided not to tempt fate anymore and slapped in the one Rotring converter I have. Fits perfectly. No more ink everywhere.
The writing is mostly wonderful—smooth without being out of control, never scratchy. But I think the nib might be currently suffering from a bit of baby’s bottom.
There are times, not even the span of an entire letter really, just the first stroke, where there’s no ink, right at the beginning. Then it starts up just fine. If it is a case of baby’s bottom, it’s an easy fix.
Mine came from Office Supplies and More, but I haven’t seen him have any of this pen before or since. Goldspot carries them, looks like…let me know if you know of any other good retailers that stock the Newton and I’ll add a link!
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Tags: fountain pen, m nib, medium nib, newton, newton fountain pen, noodler's antietam ink, rotring, rotring fountain pen, rotring newton, rotring newton fountain pen
Categories : fountain pen, pen
I’ve been told before that I need to own a Waterman, but the pen stores I frequent typically didn’t carry them and no particularly attractive model was able to catch my eye, thus instigating an e-commerce fueled need-to-buy. Even when an entry model Waterman finally popped up in my local pen store, I was reluctant to get it. “What’s the deal with the Watermans?” I asked skeptically, taking one out of the box. “This is an old man pen. What would I want with one of these?”
“I’ll make you a deal.”
“Phileas? That’s an old man name.”
“I’ll make you a really great deal.”
One really great deal later, here I am with another pen that looks like I swiped it from a geriatric stockbroker.
The Phileas is a peculiar mix of class and annoying minor flaws. Lets start with the good: the body has a nice weight to it but isn’t too heavy, and feels pretty nicely balanced.
The charcoal-colored plastic feels smooth, almost luxurious (though the words “It doesn’t feel cheap!” come to mind, I don’t think that quite conveys nearly the compliment I intend). Yes, by the way, charcoal-colored—for some reason it continues to surprise me that the pen isn’t black.
My biggest issues: the seams palpable on opposite sides of the black plastic grip—
—and the way the back of the gold art deco design accent doesn’t fully come together.
Why is that? Love the design accents; irked by these big flaws.
The third and final flaw: all these ghost starts that proliferate particularly when I print. Taking to the problem an eye loupe and the knowledge I gleaned from sitting in on a Richard Binder nib workshop, I’ve come to suspect the culprit is butt cheeks. What do I mean by such offensive language, you ask? It’s a problem, apparently not uncommon in some fancy pens, where in the quest to make a REALLY SMOOTH pen, they go too smooth, rounding the inside edge of the slit too much, so that the end of the nib resembles a little metallic bottom. This causes the ink to want to stay where it’s narrower, instead of going to the bottom of the cheeks onto the page. Here, a diagram from Richard:
Once it’s writing, everything is golden for the most part (as long as I stick to cursive). The nib is neither too wet nor too dry, and has a solidly tactile feel across the page. I detect an occasional slight resistance on such backstrokes as crossing my T’s at certain angles, which probably has something to do with the fact that the nib looks like it was aligned inside of a Salvador Dali painting.
But for the most part, the loveliness of the typical writing experience is worth persevering through the ghosting and such, until I finally get around to fixing up the nib.
Waterman Phileas: definitely enjoy…whether or not that enjoyment is enough to inspire future (and or perhaps more expensive) Waterman purchases remains to be seen.
If anyone knows a good online retailer, send me a link. Otherwise I think your best bet is to come pick one up from Office Supplies & More, my local pen store (maybe I’ll convince them to take some along to the Ohio Pen Show).
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Tags: medium nib, noodler's dragon's napalm, phileas, phileas fountain pen, waterman, waterman fountain pen, waterman phileas, waterman phileas fountain pen
Categories : fountain pen, pen
At a certain point it becomes difficult to justify buying more demonstrator-style fountain pens with iridium-point nibs—you have so many, no matter how cool this new one seems, and eventually you’d like to afford such luxuries as name brand ramen, and cereal that comes in boxes instead of bags. That’s what the wishlist is for—make sure you save it in a prominent location in the browsers of all your family and friends. I did, and now I can thank my parents for the very-happy-birthday addition of the Monteverde Artista Crystal fountain pen to my arsenal.
The smooth resin body has just enough weight to it to feel well-made, but not enough to weigh you down. But it will be collecting fingerprints and smudge marks worse than I collect pens. You’ve been warned.
The aesthetic is unquestionably classy, and the translucent spirals of the included converter (also takes cartridges) is one of the beautiful little things that sets the Artista over the top.
Why a clear feed? Because WHY NOT—it’s a wonderful echo of the converter (just as the silver on the converter nicely mirrors the grip and nib). It’s different without being ostentatious.
I don’t know much about these nibs, except that I can’t really think of a time they’ve disappointed me, and this is no exception. A medium that writes well on a variety of papers, from Clairefontaine to the cheap printer paper I’m writing this on from work—and it’s neither too wet nor too dry. The only time I’ve had any ink flow problem is when combining cheap paper and extreme angles, but the problem there isn’t flow, it’s that the tip of the nib where both tines meet isn’t in physical contact with the paper.
I’m very satisfied with this pen—it’s a great intermediate pen. Once you’ve acquired a few beginner level fountain pens, and you’re ready to fall face-first down the rabbit hole, throwing money all the way, this is a pen worth adding to your
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Tags: artista crystal fountain pen, medium nib, monteverde, monteverde artista crystal, monteverde artista crystal fountain pen, monteverde fountain pen, noodler's squeteague ink, turquoise body
Categories : fountain pen, pen