(Notemaker provided this product at no charge for reviewing purposes–opinions entirely my own)
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Tags: brown ink, ina-ho, ina-ho ink, ink, iroshizuku ina-ho, iroshizuku ink, pilot ina-ho, pilot ink, pilot iroshizuku, pilot iroshizuku ina-ho, pilot iroshizuku ina-ho ink, pilot iroshizuku ink, rice ear ink
Categories : ink
When given the opportunity to customize a notebook with ANYTHING I WANTED….ANY ARTWORK MY IMAGINATION DESIRED…I naturally opted to slather the covers in fur children.
But perhaps I should rewind, and explain the process to create one of these notebooks. You go to the website, click the “Create Your Notebook” button, Launch the Artwork Editor (which seems to have some nice features for finagling around multiple images if desired), Submit Design, choose the color of your elastic band and ribbon book mark, choose your paper type (ruled, plain, or dot grid in 90gsm ivory; or sketch paper of 140gsm) and delivery area, and proceed to complete your order. It’s so enticingly simple that, in spite of already having my sample notebook I’ve received for free, I’ve nearly ordered an additional notebook half a dozen times now, in spite of not really needing one, not knowing what I even want to put on it, and currently trying to save money for the upcoming Triangle Pen Show.
I love the quality of the printed image. The notebook is a deliciously soft-touch hardcover, and the images came out beautifully. But I am concerned how that soft-touch finish will wear over time:
There’s already a crease in the spine. I’ve had it for about a month. Maybe the crease just seems extra visible due to the light color of my notebook. The notebook itself includes a ribbon bookmark, elastic band, and no inside pocket.
Now here’s the biggest let-down: the paper. The paper comes from a company I have not reviewed before, Monsieur Notebook. Let’s take a brief detour down memory lane and I will tell you why I did not review a Monsieur Notebook.
Many years ago, when they were first coming to the US, Monsieur Notebook sent me samples of their leather notebooks asking for my feedback. The leather was wonderful and the paper was absolutely godawful for fountain pens. I told them as much, they said they were working on a version with more fountain pen friendly paper that they wanted to send me a sample of, I intended to wait until I received the potential improvement before doing a review. I never received the sample. That was 2011. Then, in 2013, I received an email from them again, as if we’d never spoken before (it was the same person, same email address both times), about the IndieGoGo campaign they were launching–they’d JUST discovered my blog and wanted to know if I was interested in trying a sample! Sure, I’ll go along with the selective amnesia. Send me a sample, since the last improved sample never made it. Surprise! This sample never made it either. Somewhere at the bottom of the Atlantic Ocean, countless Monsieur Notebooks have no doubt gathered to die, as I’m not the only one who seems to have encountered this phenomena. I emailed back to say I never received the sample, and have heard nothing in the years since. So here’s a mini review of all I know about the Monsieur Notebook (leather cover edition):
The paper sucks, the elastic lost all elasticity after about 3 to 4 years, and the leather is awesome but seems to be pulling away from the notebook. If you write with gel pens, ballpoints, pencils, or micron-type pens, then the paper is ok. Anything remotely water-based will fuzz and bleed horrifically, and in spite of the wonderful cover you will essentially never use the notebook again.
Now, back to the Bookblock. My notebook came with plain 90gsm paper–presumably the most modern and theoretically improved paper something Monsieur Notebooks-based can offer. Gel pens, ballpoint, pencils, Pilot FriXion highlighters, a quick and gentle pass with a Faber Castell Pitt Artist brush pen, and a light wash with watercolor pen/waterbrush were fine. Water-based inks still looking…not great.
We’ve got showthrough and bleedthrough, including bleedthrough with heavy gel inks like the Sakura Gelly Roll. Very fine fountain pens are almost ok, unless your sketching involves going over a line more than once or twice, then you’ve got bleedthrough. This notebook is primarily suited for pencil or ballpoint pen sketching.
Normally I’m not keen on paper that doesn’t play nice with my fountain pens. So why would I still want another one of these notebooks? I’m not sure you can beat the customization at this price. The notebook is $18, with an additional $8 shipping to the US. And the notebook customization interface is so easy to use. These would make a great gift, especially for ordinary people who don’t care about fountain pens.
(Bookblock Original provided this product at no charge for reviewing purposes. Opinions entirely my own. Monsieur Notebooks also provided that leather notebook, several years ago, at no charge, and opinions definitely my own since I never heard from them again…)
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Tags: book block, book block original, bookblock, bookblock notebook, bookblock original, bookblock original custom notebook, bookblock original notebook, custom notebook, monsieur notebook, monsieur notebooks
Categories : custom notebook, notebooks, paper
These pens look like a retro throwback straight out of some non-existent idyllic past (a.k.a. the good old days). I dig the stamped-on “SKILCRAFT U.S. GOVERNMENT” label. But wow, these pens are tiny.
Makes me think about the size of a 1950s McDonald’s meal vs. now. Cheeseburgers of a rational size that look microscopic in comparison to the heaving patty towers of the modern era. I digress. This is a short, slender pen, light of weight and modest of design. The knock is a slim button, but with a strong and satisfying click. There’s a decent amount of resistance to it–when you deploy the pen, it’s a deliberate action. This! Is! Government! Business! Some minor quibbles – alignment. The clip doesn’t line up with the label. The metal spacer ring in the middle mostly lines up, but you can feel the slight edge line between the plastic and the metal. Psychologically, I really want the words to all be in a line, and the surface to all be impossibly smooth. The refill is a bronze-bodied affair rumored to last for a mile (I don’t have paper long enough or patience sufficient enough to make over 5000 one foot long lines to test this claim). It’s no modern marvel–compared to the super smooth ballpoint kings, the Skilcraft refill is lighter in color and not as smooth. It’s good when it gets going, no blobs. There’s about half a millimeter of play laterally between the refill and the end of the barrel, the result being a soft but not unpleasant sound as you write, like a gentle tapping with each pen strike on the page. If you like tactile things, it’s a bit zen-like, your own personal write-powered white noise generator. If you crave absolute silence, then this could at times pose a problem. This pen seems designed to be as unobtrusive as possible while still retaining usability as an everyday jotter. I doubt this would be very comfortable for a marathon note-taking session, but for quick notes such a slim pen tucks away easily to be ever-available. It’s stood up well to several months of abuse thrown in various bags without care. I find myself including one in each of my bags, in case I need a normal people pen, especially one I won’t have to worry about loaning out or losing. A little more about Skilcraft – it’s the trade name of the National Industries for the Blind, employing those who are blind or visually impaired. Let me just link to the Tiger Pens Blog post about Skilcraft, which has a fantastic and fascinating write up about the company that makes these pens.
(Industries for the Blind, Inc. provided this product at no charge for reviewing purposes. Opinions entirely my own.)
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Tags: ballpoint pen, industries for the blind, national industries for the blind, skilcraft, skilcraft ballpoint, skilcraft ballpoint pen, skilcraft pen, skilcraft u.s. government, skilcraft u.s. government ballpoint pen, skilcraft u.s. government pen, u.s. government ballpoint pen, u.s. government pen
Categories : ballpoint pen, Uncategorized
I got mine from my local enabler, Crazy Alan’s Emporium. He might have some in stock if you give the store a call. Otherwise you can find this pen for however limited a time at any fine retailer where Lamys are sold, but not yet sold out.
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Tags: dark lilac fountain pen, fountain pen, lamy, lamy dark lilac, lamy dark lilac fountain pen, lamy dark lilac ink, lamy fountain pen, lamy purple fountain pen, lamy purple ink, lamy safari, lamy safari fountain pen, lamy special edition, purple fountain pen, purple ink, safari fountain pen
Categories : fountain pen, fountain pen ink, Uncategorized
I don’t mix politics and pens (pens are for everyone, regardless of whether our worldviews agree), nor did I have the attention span to watch the 35 minute opus YouTube video related to this ink (I’ve tried 3 times and only made it a total of 4 minutes in, but I’ve heard that “it’s a trip” – interpret that as you will), so I can’t comment thoughtfully on the political aspects of this ink. But it’s quite a memorable label, and I don’t think any other ink company has labels as fantastically strange and detailed as Noodler’s labels.
The big draws for me on this ink are the quick drying potential, and the red color (I still haven’t found a perfect fall red). Noodler’s Bernanke Blue is the current gold standard in my life for quick drying ink. I haven’t given it a formal review, but I can tell you when I need an ink I can count on, Bernanke Blue is what I load up. The trade-off with Bernanke Blue is that it has no shading, tends to bleed through all kinds of paper (some more than others), and is given to some fuzz and feathering. It doesn’t come out sharp. But it hits the paper dry, yet has no problems starting up even after I haven’t used it in a pen for weeks. How does Berning Red compare?
Just as Bernanke is a strong, rich blue, Berning is a strong, vibrant red. It’s not quite firetruck red, more of a warm autumn leaf color. It also has no trouble starting up in my pens after time spent unused, and has given me no dry-outs or hard starts. Good ink flow. Most excitingly, Berning Red exhibits some shading…on Tomoe River paper. Better than nothing!
On every other paper besides Tomoe River, Berning Red has the same less desirable characteristics as Bernanke Blue: a tendency to fuzz and feather, to bleed through the page, and just generally fail to deliver a crisp writing line. It’s not the worst, but I’m picky, and generally willing to sacrifice a few seconds drying time advantage if it means ink that will look crisp on the page. I could just use this ink on Tomoe River paper, but on that paper Berning Red loses all dry time advantage; whereas Bernanke Blue dried in about 5 seconds on TR (most paper it takes 1 second, at most 2), Berning Red took 15 seconds to dry, no better than most any other ink. On other papers, dry time for Berning Red varied from 1 second to 5 seconds, maxing out at 25 seconds on the InkJournal paper. It’s mostly a fast drying ink, except when it’s not, and definitely not as quick drying as its close relative, Bernanke Blue.
Your mileage will definitely vary based on what pen and paper combos you bring to this ink. If you’re looking to use it as a quick drying ink, stick to cheaper and conventional papers and probably lean toward a finer nib for a better looking line. If you want the best look out of this vigorous red, then abandon all hope of a quick dry time, and pair a broad and/or stub nib with Tomoe River paper. Ideal for lefties? Eh, it can be, with a thoughtful choice of pen and paper.
(Pen Boutique provided this product at no charge for review purposes)
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Tags: berning red, fountain pen ink, noodler's, noodler's berning red, noodler's berning red ink, noodler's fountain pen ink, noodler's ink, quick dry ink, red ink, red quick dry ink
Categories : fountain pen ink, ink, Uncategorized
Last DC Pen Show it was brought to my attention that all the cool kids were on Instagram. I promptly went to sign up, realized someone stole my handle before I could sign up, then re-realized the person who stole it was probably me having signed up long ago and forgotten all about it. One “forgot my password” later, I was in. While the blog will remain my repository for long-form reviews, if you’re looking for frequent updates, mini opinions, lots of pics, plus the occasional cat, dog, and selfie, make sure to follow my Instagram.
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Tags: ink drop soup, instagram, nopenintended on instagram, this is not a review
Categories : Ink Drop Soup, this is not a review
Diamine Shimmertastic ink, in a nutshell: almost more trouble than it’s worth.
In spite of owning every last one, I haven’t reviewed any of the J. Herbin 1670 inks yet. I’ve been too busy enjoying them – that company knows how to both build and live up to the hype. By the time Emerald of Chivor became available last year, I NEEDED that ink to live. I ordered a second bottle from a different distributor because the first one I’d ordered didn’t seem to be coming fast enough (even though it arrived the next day). Emerald of Chivor is life. I HAVE NO REGRETS.
But I was not among those excited by the announcement that Diamine would be dropping a whole line of TEN shimmer-filled inks. I was psychologically spent after the satisfying fulfillment of Chivormania; I didn’t have the emotional resources to care about TEN DIFFERENT INKS that I definitely could not afford all at once. I put the whole line out of my mind, until someone at pen club (possibly Tom with all the Pelikans) brought in a bottle of Purple Pazzazz and a bottle of Red Lustre, giving away samples to try.
I started with Purple Pazzazz in a Lamy Vista with 1.9mm calligraphy nib, chiefly because every last J. Herbin 1670 ink has done fantastically with the Lamy feed/1.9mm nib combination. After about one sentence, the flow choked up. This Diamine stuff was definitely a different beast. I swapped on a broad nib instead, and the pen was coaxed into cooperation. Purple Pazzazz in a Lamy Al-Star with medium nib gave me no trouble. Time then to try the Red Lustre.
TWSBI mini with 1.5 stub? NOPE. Nothing but failure. A. G. Spalding Bros mini pen, the juicy one? Couldn’t even get the ink to flow to the end of the nib. Monteverde Artista Crystal? The clear feed shows exactly where the ink stops, and goes no more. In desperation (and seriously lacking in the broad nibs department of my life for some reason), I inked up my Pelikan M205 with the gigantically juicy factory italic nib – at last! Success! Delicious success!
You can see the shimmer particles settle and move in the juicy lines of ink. Just as I was about to consign this color to dip pens only, here at last a glimmer, shimmer of hope. I swapped the biggest non-stub TWSBI nib I had (a medium) onto the mini, and after some nib-flossing it works now, more or less reliably. More tests will determine if this cooperation is color based, or if I just didn’t have the right pen/nib combos for the red as I did for the purple. I’ve got the Goulet Pens Shimmertastic Sample set now, so in due time I can properly assess the entire line.
On to the ink itself, once on the page – a delightful sparkle. Like writing with some form of arcane magic. Moreso than the J. Herbin 1670 inks though, the sparkles will spread all over the page, far beyond where the ink is located. Your writing takes on the appearance of a fairy sneeze when tilted to the light. I don’t know why the sparkle spreads – the particles definitely settle a little faster in the solution than the J. Herbin particles do in theirs, so perhaps that in some way has something to do with it. I haven’t used the pen in the ink bottle technique to fill anything with these inks — I think the sparkles settle too quickly for that. Shake your sample/bottle vigorously, and use a syringe to draw ink from about the halfway down or so point, and you should end up with a decent amount of sparkle and bling. And although I am irresponsible and have left these inks sitting in my pens for quite a little bit of time with no negative consequences, you should probably clean out any pens you put this ink into on a regular basis.
In spite of all the attendant frustration, the lovely look of these inks makes it worth my while. Avoid the headache and stick to dip pens with this ink, or brave the sometimes unsuccessful combinations in the quest for a perfect pen/nib/ink shimmertastic trifecta.
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Tags: diamine, diamine ink, diamine purple pazzazz, diamine red lustre, diamine shimmertastic ink, diamine shimmertastic purple pazzazz, diamine shimmertastic red lustre, glitter ink, purple pazzazz, red lustre, shimmertastic, shimmertastic ink, sparkle ink
Categories : ink